Alguns favoritos de 2015

Belos filmes vistos e revistos ao longo de 2015 realizados até 2012.

Carmen (Cecil B De Mille, 1915)

The River (Frank Borzage, 1929)

Man to Man (Allan Dwan, 1930)

The Champ (King Vidor, 1931)

Platinum Blonde (Frank Capra, 1931)

Waterloo Bridge (James Whale, 1931)

Island of the Lost Souls (Erle C. Kenton, 1932)

One Way Passage (Tay Garnett, 1932)

Hallelujah, I’m a Bum (Lewis Milestone, 1933)

It Happened One Night (Frank Capra, 1934)

Dracula’s Daughter (Lambert Hillyer, 1936)

Union Pacific (Cecil B. De Mille, 1939)

Citizen Kane (Orson Welles, 1941)

The Sea Wolf (Michael Curtiz, 1941)

The Magnificient Ambersons (Orson Welles, 1942)

Holy Matrimony (John M. Stahl, 1943)

Immortal Sergeant (John M. Stahl, 1943)

The Lady From Shanghai (Orson Welles, 1947)

Act of Violence (Fred Zinnerman, 1948)

MacBeth (Orson Welles, 1948)

Broken Arrow (Delmer Daves, 1950)

The Breaking Point (Michael Curtiz, 1950)

The Furies (Anthony Mann, 1950)

Orpheé (Jean Cocteau, 1950)

Apache Drums (Hugo Fregonese, 1951)

Othello (Orson Welles, 1952)

Return of the Texan (Delmer Daves, 1952)

Thunder Over the Plains (André De Toth, 1953)

The Naked Jungle (Byron Haskin, 1954)

Jubal (Delmer Daves, 1956)

The Last Wagon (Delmer Daves, 1956)

3:10 to Yuma (Delmer Daves, 1957)

Trono Manchado de Sangue (Akira Kurosawa, 1957)

The Badlanders (Delmer Daves, 1958)

Bonjour Tristesse (Otto Preminger, 1958)

Touch of Evil (Orson Welles, 1958)

The Hanging Tree (Delmer Daves, 1959)

Classe Tous Risques (Claude Sautet, 1960)

L’Oeil du Malin (Claude Chabrol, 1962)

The Trial (Orson Welles, 1962)

A Caça (Manoel de Oliveira, 1964)

Truth and Illusion: an Introduction to Metaphysics (King Vidor, 1964)

 

Chimes at Midnight (Orson Welles, 1965)

Bonnie and Clyde (Arthur Penn, 1967)

David Holzman’s Diary (Jim McBride, 1967)

Two For the Road (Stanley Donen, 1967)

Madigan (Don Siegel, 1968)

Petulia (Richard Lester, 1968)

Spider Baby, or the Maddest Story Ever Told (Jack Hill, 1968)

Targets (Peter Bogdanovich, 1968)

The Immortal Story (Orson Welles, 1969)

Sayat Nova (Sergei Paradjanov, 1969)

Meu Nome é Tonho (Ozualdo Candeias, 1969)

Tell Them Willie Boy is Here (Abraham Polonsky, 1969)

Faustão (Eduardo Coutinho, 1970)

A Herança (Ozualdo Candeias, 1970)

Puzzle of a Downfall Child (Jerry Schatzberg, 1970)

The Velvet Vampire (Stephanie Rothman, 1970)

Glen and Randa (Jim McBride, 1971)

The Hired Hand (Peter Fonda, 1970)

Pictures From Life’s Other Side (Jim McBride, 1971)

Goodbye CP (Kazuo Hara, 1972)

Grave of the Vampire (John Hayes, 1972)

Bonnie’s Kids (Arthur Marks, 1973)

The New Centurions (Richard Fleischer, 1973)

F for Fake (Orson Welles, 1973)

Claudine (John Berry, 1974)

The Texas Chainsaw Massacre (Tobe Hooper, 1974)

Anna (Alberto Griffi, Massimo Sarchielli, 1975)

Benilde ou a Virgem Mãe (Manoel de Oliveira, 1975)

Les Intrigues de Sylvia Couski (Adolpho Arrietta, 1975)

Change Pas de Main (Paul Vecchiali, 1975)

Il Messia (Roberto Rossellini, 1975)

Milestones (Robert Kramer, John Douglas, 1975)

Que Farei Eu Com Esta Espada? (João César Monteiro, 1975)

Dupont Lajoie (Yves Boisset, 1975)

Shivers (David Cronenberg, 1975)

Welfare (Frederick Wiseman, 1975)

Communion (Alfred Sole, 1976)

Mikey and Nicky (Elaine May, 1976)

Paranoia (Antonio Calmon, 1976)

The Town That Dreaded Sundown (Charles B. Pierce, 1976)

Alice ou la Dernière Fugue (Claude Chabrol, 1977)

Apaches (John Mackenzie, 1977)

Conversas no Maranhão (Andrea Tonacci, 1977)

Islands in the Stream (Franklin J. Schaffner, 1977)

Perfumed Nightmare (Kidlat Tahimik, 1977)

Rolling Thunder (John Flynn, 1977)

Short Eyes (Robert M. Young, 1977)

Fingers (James Toback, 1978)

Remember My Name (Alan Rudolph, 1978)

The Silent Partner (Daryl Duke, 1978)

Bush Mama (Haile Gerima, 1979)

Filming Othello (Orson Welles, 1979)

Over the Edge (Jonathan Kaplan, 1979)

Rich Kids (Robert M. Young, 1979)

Winter Kills (William Reichart, 1979)

Wise Blood (John Huston, 1979)

Dangerous Encounters – 1st Kind (Tsui Hark, 1980)

The Howling (Joe Dante, 1980)

Maniac (William Lustig, 1980)

Melvin and Howard (Jonathan Demme (1980)

Used Cars (Robert Zemeckis, 1980)

Dead and Buried (Gary Sherman, 1981)

Mad Max 2: The Road Warrior (George Miller, 1981)

Father and Son (Allen Fong, 1981)

Road Games (Richard Franklin, 1981)

Wolfen (Michael Wadleigh, 1981)

Five Elements Ninja (Chang Cheh, 1982)

Visita ou Memórias e Confissões (Manoel de Oliveira, 1982)

Who I am This Time? (Jonathan Demme, 1982)

Crime e Castigo (Aki Kaurismaki, 1983)

Choose Me (Alan Rudolph, 1984)

Ninja III: The Domination (Sam Firstenberg, 1984)

Razorback (Russell Mulcahy, 1984)

Seventeen (Joel DeMott, Jeff Kraines, 1984)

Swing Shift (Jonathan Demme, 1984)

The Terminator (James Cameron, 1984)

Obi Oba: o Fim da Civilização (Piotr Szulkin, 1985)

Re-Animator (Stuart Gordon, 1985)

Smooth Talk (Joyce Chopra, 1985)

Aliens (James Cameron, 1986)

A Better Tomorrow (John Woo, 1986)

À l’Ombre de la Canaille Bleue (Pierre Clementi, 1986)

The Texas Chainsaw Massacre 2 (Tobe Hooper, 1986)

Landscape (for Manon) (Peter B. Hutton, 1987)

White of the Eye (Donald Cammel, 1987)

The Big Heat (Johnnie To, Andrew Kam, Tsui Hark, 1988)

Uma Pedra no Bolso (Joaquim Pinto, 1988)

Soleil (Pierre Clementi, 1988)

The Killer (John Woo, 1989)

Miracle Mile (Steve de Jarnatt, 1989)

Onde Bate o Sol (Joaquim Pinto, 1989)

Society (Brian Yuzna, 1989)

Tabula Rasa (Peter Tscherkassky, 1989)

Mona et Moi (Patrick Grandperret, 1989)

A Moment of Romance (Benny Chan, 1990)

Aspen (Frederick Wiseman, 1991)

A Brighter Summer Day (Edward Yang, 1991)

Avetik (Don Askarian, 1992)

Hard Boiled (John Woo, 1992)

The Christ of Nanjing (Tony Au, 1995)

From the Journals of Jean Seberg (Mark Rappaport, 1995)

Good Men, Good Women (Hou Hsiao-Hsien, 1995)

Heat (Michael Mann, 1995)

Les Rendez-vous de Paris (Eric Rohmer, 1995)

Le Fils de Gascogne (Pascal Aubier, 1995)

La Vallée Close (Jean-Claude Rousseau, 1995)

Study of a River (Peter B. Hutton, 1997)

The Last Days of Disco (Whit Stillman, 1998)

Belfast, Maine (Frederick Wiseman, 1999)

Diamond Hill (Soi Cheang, 2000)

Paria (Nicolas Klotz, 2000)

Teenage Hooker Became Killing Machine in Daehakroh ( Gee-woong Nam, 2000)

All About Lily Lily Chou Chou (Shinji Iwai, 2001)

Brigham City (Richard Dutcher, 2001)

Bones (Ernest R. Dickerson, 2001)

Domestic Violence (Frederick Wiseman, 2001)

In The Bathtub of the World (Caven Zahedi, 2001)

Last Run (Anthony Hickox, 2001)

Millennium Mambo (Hou Hsiao-Hsien, 2001)

Porto da Minha Infância (Manoel de Oliveira, 2001)

Tokyo Marigold (Jun Ichikawa, 2001)

Suicide Club (Sion Sono, 2001)

Mystification ou l’Histoire des Portraits (Sandrine Rinaldi, 2003)

L

La Blessure (Nicolas Klotz, 2004)

Linda Linda Linda (Nabuhiro Yamashita, 2005)

Miami Vice (Michael Mann, 2006)

Falsa Loura (Carlos Reichenbach, 2007)

Dias de Greve (Adirley Queirós, 2009)

Low Life (Nicolas Klotz, Elisabeth Perceval, 2012)

Resident Evil: Retribution (Paul W.S. Anderson, 2012)