Filmes favoritos vistos pela primeira vez em 2018

Em 3 blocos.

I

The Student Prince in Old Heidelberg (Ernst Lubitsch, 1927)

The Docks of New York (Josef von Sternberg, 1928)

Thunderbolt (Josef von Sterberg, 1929)

Every-Night Dreams (Mikio Naruse, 1933)

The Goddess (Yonggang Wu, 1934)

The Girl in the Rumor (Mikio Naruse, 1935)

When Tomorrow Comes (John M. Stahl, 1939)

Ornamental Hairpin (Hiroshi Shimizu, 1941)

Chama do Meu Amor (Kenji Mizoguchi, 1949)

Senhorita Oyu (Kenji Mizoguchi, 1951)

Senhora Musashino (Kenji Mizoguchi, 1951)

Os Amantes Crucificados (Kenji Mizoguchi, 1954)

A Rua da Vergonha (Kenji Mizoguchi, 1956)

Canções Lascivas do Japão (Nagisa Oshima, 1967)

If You Were Young: Rage (Kinji Fukasaku, 1970)

The Wolves (Hideo Gosha, 1971)

Oito Horas Não Fazem um Dia (Reiner Werner Fassbinder, 1972)

Under the Flag of the Rising Sun (Kinji Fukasaku, 1972)

Just Like Weather (Allen Fong, 1986)

Looking for Langston (Isaac Julien, 1989)

II

Underworld (Josef von Sternberg, 1927)

The Shakedown (William Wyler, 1929)

Seven Seas: Virginity Chapter (Hiroshi Shimizu, 1931)

Back Street (John M. Stahl, 1932)

The Dancing Girl of Izu (Heinosuke Gosho, 1933)

A Woman Crying in Spring (Hiroshi Shimizu, 1933)

Street Without End (Mikio Naruse, 1934)

Crime e Castigo (Pierre Chenal, 1935)

Travelling Actors (Mikio Naruse, 1940)

O Amor da Atriz Sumako (Kenji Mizoguchi, 1947)

A Musica de Gion (Kenji Mizoguchi, 1953)

Eight Hours of Terror (Seijun Suzuki, 1957)

Killers on Parade (Masahiro Shinoda, 1960)

Fight, Zatoichi. Fight (Kenji Misumi, 1964)

Violência ao Meio Dia (Nagisa Oshima, 1966)

Three Poplars on Plyuschikha Street (Tatyana Lioznova, 1967)

Window (Patrick Lung Kong, 1968)

O Longo Adeus (Kira Muratova, 1971)

Young People (Chang Cheh, 1972)

Sambizanga (Sarah Maldoror, 1973)

Disciples of Shaolin (Chang Cheh, 1975)

Challenge of the Masters (Lau Kar Leung, 1976)

Lullaby of the Earth (Yasuzô Masumura, 1976)

A Deusa Negra (Ola Bolagun, 1978)

Hunter in the Dark (Hideo Gosha, 1979)

Lovers Lost (Kinji Fukasaku, 1982)

Eight Taels of Gold (Mabel Cheung, 1989)

Tilaï (Idrissa Ouedraogo, 1990)

A Gentle Breeze in the Village (Nobuhiro Yamashita, 2007)

Teza (Haile Gerima, 2008)

III

Undying Pearl (Hiroshi Shimizu, 1929)

The Big House (George W. Hill, 1930)

An American Tragedy (Josef von Sternberg, 1931)

Quick Millions (Rowland Brown, 1931)

Seven Seas: Chastity Chapter (Hiroshi Shimizu, 1932)

Lady for a Day (Frank Capra, 1933)

A Perdição de Osen (Kenji Mizoguchi, 1935)

Sincerity (Mikio Naruse, 1939)

The Cheaters (Joseph Kane, 1945)

Two People (Carl Theodor Dreyer, 1945)

É Proibido Beijar (Ugo Lombardi, 1954)

La Tete Contre Les Murs (Georges Franju, 1959)

Back Door (Li Han-Hsiang, 1960)

The Sleeping Beast Within (Seijun Suzuki, 1960)

Man with a Shotgun (Seijun Suzuki, 1961)

Love without End (Ching Doe, 1961)

Ken (Kenji Misumi, 1964)

Zatôichi and the Chest of Gold (Kazuo Ikehiro, 1964)

Garota de Ipanema (Leon Hirszman, 1967)

La Musica (Marguerite Duras, Paul Seban, 1967)

Soleil O (Med Hondo, 1967)

Sex Zone (Masao Adachi, 1968)

Funeral Parade of Roses (Toshio Matsumoto, 1969)

Violence Without Cause (Koji Wakamatsu, 1969)

Emperor Tomato Ketchup (Shūji Terayama, 1971)

The Lady Hermit (Ho Meng Hua, 1971)

D’Gajão Mata Para Vingar (José Mojica Marins, 1972)

Four Riders (Chang Cheh, 1972)

Longo Caminho da Morte (Julio Calasso, 1972)

Italianamerican (Martin Scorsese, 1974)

Nuits Rouges (Georges Franju, 1974)

A Noite das Femeas (Fauzi Mansur, 1976)

The Watcher in the Attic (Noboru Tanaka, 1976)

Heroes of the East (Lau Kar Leung, 1978)

Warriors Two (Sammo Hung, 1978)

Star of David: Beauty Haunting (Norifumi Suzuki, 1979)

Conhecendo o Grande Mundo (Kira Muratova, 1980)

Seeding of a Ghost (Yang Chuan, 1983)

O Funeral (Juzo Itami, 1984)

Homecoming (Yim Ho, 1984)

Discipulos da 36o. Camara de Shaolin (Lau Kar Leung, 1985)

No More Comics (Yojiro Takita, 1986)

The Paper Bridge (Ruth Beckermann, 1987)

Her Vengeance  (Lam Nai-Choi, 1988)

Yaaba ( Idrissa Ouedraogo, 1989)

Au Revoir, Mon Amour (Tony Au, 1991)

Fireworks, Should We See It from the Side or the Bottom? (Shunji Iwai, 1993)

Herbal Tea (Herman Yau, 2004)

California Company Town (Lee Anne Schimitt, 2008)

Lunch Break (Sharon Lockhart, 2008)