Alguns pontos altos do meu ano cinéfilo

Alguns favoritos vistos este ano:

A Modern Musketeer (Allan Dwan, 1917)

Manhandled (Allan Dwan, 1925)

Lucky Star (Frank Borzage, 1929)

Hell’s Heroes (William Wyler, 1930)

Blessed Event (Roy Del Ruth, 1932)

Frisco Jenny (William Wellman, 1932)

While Paris Sleeps (Allan Dwan, 1932)

A Deliquente (Yasujiro Ozu, 1933)

Black Sheep (Allan Dwan, 1935)

The Shanghai Gesture (Joseph Von Sternberg, 1941)

Air Force (Howard Hawks, 1943)

The Clock (Vincente Minnelli, 1945)

I Know Where I’m Going (Michael Powell, Emeric Pressburger, 1945)

Canyon Passage (Jacques Tourneur, 1946)

From This Day Forward (John Berry, 1946)

Rendezvous with Annie (Allan Dwan, 1946)

Strange Illusion (Edgar G. Ulmer, 1946)

Strange Impersonation (Anthony Mann, 1946)

The Man I Love (Raoul Walsh, 1947)

Angel in Exile (Allan Dwan, Philip Ford, 1948)

Moonrise (Frank Borzage, 1948)

Intruder in the Dust (Clarence Brown, 1949)

Jour de Fete (Jacques Tati, 1949)

The Window (Ted Tetzlaff, 1949)

Armored Car Robbery (Richard Fleischer, 1950)

The Lawless (Joseph Losey, 1950)

No Man of Her Own (Mitchel Leisen, 1950)

Kansas City Confidential (Phil Karlson, 1953)

Drive a Crooked Road (Richard Quine, 1954)

Murder is my Beat (Edgar G. Ulmer, 1955)

Stranger on a Horseback (Jacques Tourneur, 1955)

Tennessee’s Partner (Allan Dwan, 1955)

Tight Spot (Phil Karlson, 1955)

The Killer is Loose (Budd Boetticher, 1956)

Alyonka (Boris Barnet, 1961)

Most Dangerous Man Alive (Allan Dwan, 1961)

Merril’s Marauders (Samuel Fuller, 1962)

The Girl That Knew Too Much (Mario Bava, 1963)

Tiempo de Morrir (Arturo Riepstein, 1965)

A Report on the Party and the Guests (Jan Nemec, 1967)

Acephale (Patrick Deval, 1968)

Deux Fois (Jackie Raynal, 1968)

Female Student Guerilla (Masao Adachi, 1969)

A Time for Dying (Budd Boetticher, 1969)

Jardim de Guerra (Neville D’Almeida, 1970)

Such Good Friends (Otto Preminger, 1971)

L’Etrangleur (Paul Vecchiali, 1972)

O Salmo Vermelho (Miklos Jancsó, 1972)

Karl May (Hans-Jürgen Syberberg, 1974)

11 x 14 (James Benning, 1977)

The Nineteen Year-Old’s Map (Mitsuo Yanagimachi, 1979)

Simone Barbes ou la Virtue (Marie-Claude Treilhou, 1980)

O Paraiso Proibido (Carlos Reichenbach, 1981)

Himala (Ishmael Bernal, 1982)

Um Jogo Brutal (Jean-Claude Brisseau, 1983)

Uma Rapariga no Verão (Vitor Gonçalves, 1986)

Routine Pleasures (Jean-Pierre Gorin, 1986)

Road (Alan Clarke, 1987)

Sink or Swim (Su Friederich, 1990)

North on Evers (James Benning, 1991)

Dial H-I-S-T-O-R-Y (Johan Grimonprez, 1997)

Timeless Bottomless Bad Movie (Jang Sun-woo, 1997)

Gloria (Manuela Viegas, 1999)

Os Excluídos do Bom Deus (Jean-Claude Brisseau, 2000)

Du Soleil pour les Gueux (Alain Guiraudie, 2001)

Toter Mann (Christian Petzold, 2001)

*Corpus Callosum (Michael Snow, 2002)

Les Jours où je n’Existe Pas (Jean-Charles Fitoussi, 2002)

Oxhide (Liu Jiayin, 2005)

Le Petit Chaperon Rouge (Shinji Ayoama, 2008)

True Women For Sale (Herman Yau, 2008)