Melhores do Miguel Marias

Recuerdos de una Mañana, de José Luis Guerin

Mais útil para quem quer dicas de filmes do que a minha lista é esta do Miguel Marias, ótimo crítico espanhol que ocasionalmente comenta aqui no blog.

A) Grandes filmes vistos pela vez primeira, feitos despois de 2006:

O Estranho Caso de Angélica (Manoel de Oliveira, 2010)
Litoral (Raúl Ruiz, 2008)
Deuses e Homens (Xavier Beauvois, 2010)
La Maison Nucingen (Raúl Ruiz, 2008)
Gone Baby Gone (Ben Affleck, 2007)
Meia Noite em Paris (Woody Allen, 2010/1)
A Vala (Wang Bing, 2010)
Depois da Vida (Clint Eastwood, 2010)
Mistérios de Lisboa (Raúl Ruiz, 2010)
Petit tailleur (Louis Garrel, 2010)
Habemus Papam (Nanni Moretti, 2011)
Lastuja-Taiteilijasuvun Vuosisata (Splinters-A Century of an Artistic Family) (Peter von Bagh, 2011)
Recuerdos de una mañana (José Luis Guerin, 2011)
Sorelle Mai (Marco Bellocchio, 2010)
O Porto (Aki Kauirismäki, 2011)
No (da serie La Chevelure féminine vue par…) (Abbas Kiarostami, 2010)
La Folie Almayer (Chantal Akerman, 2011)

B) Grandes filmes vistos pela vez primeira, feitos antes de 2006:

Notes of an Itinerant Performer (Shimizu Hiroshi, 1941)
La Merveilleuse Vie de Jeanne d’Arc, fille de Lorraine (Marco de Gastyne, 1927-8/9)
Three Years Without God (Mario O’Hara, 1976)
Flame of the Islands (Edward Ludwig, 1955/6)
Cuba Libre (Christian Petzold, 1996)
Next Time We Love (Edward H. Griffith, 1935/6)
Baddegama (Lester James Peries, 1980)
La Tête d’un home (Julien Duvivier, 1932/3)
Puccini (Carmine Gallone, 1952)
10 Minuten Mozart (Lotte Reiniger, 1930) [ver]

C) Filmes muito bons vistos pela vez primeira, feitos de 2006 en adiante:

Atração Perigosa (Ben Affleck, 2010)
A ilusão Comica (Mathieu Amalric, 2010)
Beats Being Dead (Christian Petzold, 2011)
Caminho para o Nada (Monte Hellman, 2010)
Venus Negra (Abdellatif Kechiche, 2010)
Cry Me A River (Jia Zhang-Ke, 2008)
Napoli Napoli Napoli (Abel Ferrara, 2009)
Disingagement (Amos Gitai, 2007)
Roses à crédit (Amos Gitai, 2010)
Red Road (Andrea Arnold, 2006)
Snow Angels (David Gordon Green, 2006)
Cleópatra (Júlio Bressane, 2007)
Il se peut que la beauté ait renforcé notre résolution – Masao Adachi (Philippe Grandrieux, 2011)
O Caçador (Rafi Pitts, 2010)
Ruínas (Manuel Mozos, 2009)
Alvorada vermelha (João Rui Guerra da Mata & João Pedro Rodrigues, 2011)
Filmer aujourd’hui (Jean-Louis Comolli, 2010)
Winter’s Bone (Debra Granik, 2010)
Les Braves (Alain Cavalier, 2008)
Rigoletto a Mantova (Marco Bellocchio, 2010)
Carminho: 1. Escrevi teu nome no vento / 2. A Bia da Mouraria / 3. Meu amor marinheiro / 4. Espelho quebrado (João Botelho, 2008) [ver]
Vidas pequeñas (Enrique Gabriel, 2010)
La recta provincia (Raúl Ruiz, 2007)
Como você Sabe (James L. Brooks, 2010)
Essential Killing (Jerzy Skolimowski, 2010)
Robinson in Ruins (Patrick Keiller, 2010)
Le Roman de ma Femme (Jamshed Usmonov, 2009/11)
Chantrapas (Otar Ioseliani, 2010)
O nosso homem (Pedro Costa, 2010)
Giallo (Dario Argento, 2008)
Isto não é um Filme  (Jafar Panahi & Mojtaba Mirtahmasb, 2010/1)
(Mother Earth) (Ermanno Olmi; colaboración Franco Piavoli, 2009)
The Betrayal/Nerakhoon (Ellen Kuras & Thavisouk Phrasavath, 2008)
Boxing Gym (Frederick Wiseman, 2010)
WTC haikus (Jonas Mekas, 2010)
Il était une fois…Sailor et Lula (Auberi Edler, 2008)

D) Filmes muito bons vistos pela vez primeira, feitos antes de 2006:

Die Beischlafdiebin (Christian Petzold, 1998)
Kanzen naru shiiku:Akai satsui (Wakamatsu Kōji, 2004)
Suzaki Paradise (Kawashima Yuzō, 1956)
The Sound of Fury (Try and Get Me) (Cy Endfield, 1950)
Mystery Street (John Sturges, 1950)
Too Much, Too Soon (Art Napoleon, 1958)
The Outcasts of Poker Flat (Joseph M. Newman, 1952)
The Walking Hills (John Sturges, 1949)
The Underworld Story (Cy Endfield, 1950)
Pilots (Christian Petzold, 1995)
Varastettu kuolema (Nyrki Tapiovaara, 1938)
The Red Detachment of Women (Xie Jin, 1960)
Hell Bent for Leather (George Sherman, 1960)
Black Bart (George Sherman, 1948)
Iskanderiya… New York (Youssef Chahine e Khaled Youssef, 2004)
La Vraie Vie (dans les bureaux) (Jean-Louis Comolli, 1993)
La Faute à Voltaire (Abdellatif Kechiche, 2000)
A Queda (Ruy Guerra, 1976)
L’Équipage (Anatole Litvak, 1935)
Os Deuses e os Mortos (Ruy Guerra, 1970)
Die Parallelstrasse (Ferdinand Khittl, 1962)
Edge of Darkness (Lewis Milestone, 1943)
Land in Captivity (Fiodor A. Otsiep, 1927/8)
Amok (Fédor Ozep/Fiodor A. Otsiep, 1934)
Cry Wolf (Peter Godfrey, 1947)
Manolescu (Victor Tourjansky, 1929)
Die singende Stadt (Carmine Gallone, 1930)
A Caça (Manoel de Oliveira, 1963)
Monster on the Campus (Jack Arnold, 1958)
Sininen laulu (Suomen taiteiden tarina) (Peter von Bagh, 2003)
Paolo e Francesca (Raffaello Matarazzo, 1950)
Di Cavalcanti (Glauber Rocha, 1977)
Loving Blood of the Vulcan (Sun Yu, 1932)
Wild Rose (Sun Yu, 1932)
La monaca di Monza (Carmine Gallone, 1962)
Balseros (Carles Bosch & Josep Maria Domènech, 1994-2002)
Portugal S.A. (Ruy Guerra, 2004)
Master, Mistress and Servant (Abrar Alvi e Guru Dutt, 1962)
Young Man of Manhattan (Monta Bell, 1930)
Die Frau, nach der Man sich sehnt (Kurt Bernhardt, 1929)
L’Affaire Sofri (Jean-Louis Comolli, 2001)
Upstream (John Ford, 1927)
The Last Night (Iuli Raízman, 1936)
Elvis (John Carpenter, 1979)
Le Concerto de Mozart (Jean-Louis Comolli & Francis Marmande, 1997)
Naissance d’un hôpital (Jean-Louis Comolli, 1991)
La mano dello straniero (Mario Soldati, 1953)
I Dream Too Much (John Cromwell, 1935)
The Company She Keeps (John Cromwell, 1950/1)
A Wife’s Confession (Masumura Yasuzo, 1961)
Sappho (Dimitri Buchowetzki, 1921)
Uomini e cieli (Francesco De Robertis, 1943//7)
Die arme Jenny (Urban Gad, 1912)
Ride Clear of Diablo (Jesse Hibbs, 1953/4)
Boca de lixo (Eduardo Coutinho, 1993)
Jean Moulin : Lettre à un innocent (William Karel, 2003)
The Tattered Dress (Jack Arnold, 1957)
Twenty Plus Two (Joseph M. Newman, 1961)
Return To Waterloo (Ray Davies, 1984)
Der Postmeister (Gustav Ucicky, 1940)
Souls on the Road (Murata Minoru, 1921)
Riff-Raff (Ted Tetzlaff, 1947)
Talking to Strangers (Rob Tregenza, 1988)
Ciné Mafia-Rencontre 1:Jean Rouch parle avec Joris Ivens et Henri Storck (Jean Rouch, 1980)
Satin Rouge (Raja Amari, 2001/2)
Isto É Noel Rosa (Rogéro Sganzerla, 1990)
13 Tzameti (Gela Babluani, 2005)
A Knight in London (Lupu-Pick, 1928)
Wasp (Andrea Arnold, 2003)
Cofralandes (Raúl Ruiz, 2001/2)
Le Film à venir (Raúl Ruiz, 1997)
Makwayela (Jean Rouch & Jacques d’Arthuys, 1977)
Come Dancing With The Kinks (Ken O’Neil/Julien Temple, 1986)

E) Grandes filmes redescobertos ou reavaliados despois de uma novo encontro:

Lady of Musashino (Mizoguchi Kenji, 1951)
Early Summer (Ozu Yasujirō, 1951)
Boemio Encantador (George Cukor, 1938)
Mahanagar (Satyajit Ray, 1963/4)
La Fille du puisatier (Marcel Pagnol, 1940)
The Crimson Kimono (Samuel Fuller, 1959)
Two Weeks in Another Town (Vincente Minnelli, 1962)
The Unforgettable (Iuliia Solntseva, 1967)
Chronicle of Flaming Years (Iuliia Solntseva, 1960)
The Big Mouth (Jerry Lewis, 1967)
The Clock (Vincente Minnelli, 1945)
Sonnenstrahl (Pál Fejös, 1933)
Park Row (Samuel Fuller, 1952)
Poema o More (Iuliia Solntseva, 1958)
Die Büchse der Pandora (Georg Wilhelm Pabst, 1928)
The Docks of New York (Josef von Sternberg, 1928)
Beggars of Life (William A. Wellman, 1928)
A marcha Nupcial (Erich von Stroheim, 1928)
Glomdalsbruden (Carl Th. Dreyer, 1925)
The Salvation Hunters (Josef von Sternberg, 1925)
The White Rose (David W. Griffith, 1923)
Os Amantes do Pont-Neuf (Leos Carax, 1991)
The Adventures of Hajji Baba (Don Weis, 1954)
Manon des Sources (Marcel Pagnol, 1952)
La Femme et le pantin (Jacques de Baroncelli, 1928/9)
The Last Command (Josef von Sternberg, 1928)
No Man of Her Own (Mitchell Leisen, 1950)
Madame Bovary (Jean Renoir, 1933)
Madame de… (Max Ophuls, 1953)
Italiani brava gente (Giuseppe De Santis, 1964)
The Mating Season (Mitchell Leisen, 1950)
Traviata 53 (Vittorio Cottafavi, 1953)
They Flew Alone (Herbert Wilcox, 1941)
King Lear (Jean-Luc Godard, 1987)
Sammy Going South (Alexander Mackendrick, 1963)
U.S. Go Home  (Claire Denis, 1994)
Polustanok (Boris Barnet, 1963)
Act of Violence (Fred Zinnemann, 1948)
The Search (Fred Zinnemann, 1948)
Le Combat dans l’île (Alain Cavalier, 1962)
Letter of Introduction (John M. Stahl, 1938)
Love Letters (William Dieterle, 1945)
Le Pont du Nord (Jacques Rivette, 1981)
A Mother’s Love (Shimizu Hiroshi, 1950)
Way Of A Gaucho (Jacques Tourneur, 1952)
Stars In My Crown (Jacques Tourneur, 1950)
The Halliday Brand (Joseph H. Lewis, 1957)
The Horn Blows at Midnight (Raoul Walsh, 1945)
Benilde ou A Virgem Mãe (Manoel de Oliveira, 1974/5)
The Effect of Gamma Rays on Man-in-the-Moon Marigolds (Paul Newman, 1972)
Piccadilly Incident (Herbert Wilcox, 1946)
The Seventh Cross (Fred Zinnemann, 1944)
L’Amour l’après-midi (Eric Rohmer, 1972)
The Sins of Rachel Cade (Gordon Douglas, 1960/1)
El mundo sigue (Fernando Fernán-Gómez, 1963)
La vida en un hilo (Edgar Neville, 1945)
Plymouth Adventure (Clarence L. Brown, 1952)
L’Oeil qui ment (Raúl Ruiz, 1992)
As Três Coroas do Marinheiro (Raúl Ruiz, 1983)
A Hipotese do Quadro Roubado(Raúl Ruiz, 1978)
This Happy Life (Narusē Mikio, 1944)
Rien que les heures (Alberto Cavalcanti, 1926)
Song of Love (Clarence L. Brown, 1947)
Death Takes a Holiday (Mitchell Leisen, 1934)
A Midsummer Night’s Dream (Max Reinhardt & William Dieterle, 1935)
Walk Softly, Stranger (Robert Stevenson, 1948/9/50)
A Life Of Her Own (George Cukor, 1950)
Pola X (Leos Carax, 1999)
Intruder in the Dust (Clarence L. Brown, 1949)
Les Voleurs de la nuit (Samuel Fuller, 1983/4)
Night has a Thousand Eyes (John Farrow, 1948)
Strange Illusion (Edgar G. Ulmer, 1945)
The Shiinomi School (Shimizu Hiroshi, 1955)
The Burglar (Paul Wendkos, 1955//7)
Murder Is My Beat (Edgar G. Ulmer, 1955)
Une simple histoire (Marcel Hanoun, 1958/9)
La vida por delante (Fernando Fernán-Gómez, 1958)
Malombra (Mario Soldati, 1942)
The Jealous Lover (en The Story of Three Loves) (Gottfried Reinhardt, 1952)
The Eyes of the Mummy (Ernst Lubitsch, 1918)
Fedra (Manuel Mur Oti, 1956)
The Prowler (Joseph Losey, 1950)
La Ville des Pirates (Raúl Ruiz, 1983)
The Passionate Friends (David Lean, 1948)
The Reluctant Debutante (Vincente Minnelli, 1958)
Yellowstone Kelly (Gordon Douglas, 1959)
Cracking Up (Jerry Lewis, 1982)
Made in Heaven (Alan Rudolph, 1987)
Lumière d’Été (Jean Grémillon, 1943)
7th Cavalry (Joseph H. Lewis, 1956)
Flashing Spikes (in Fred Astaire’s Premiere Theatre) (John Ford, 1962)

F) Filmes muito bons redescubertos ou reavaliados (nem sempre para melhor) despois de um novo encontro:

4 Aventures de Reinette et Mirabelle (Éric Rohmer, 1986)
The Treasure of Pancho Villa (George Sherman, 1955)
I Died A Thousand Times (Stuart R. Heisler, 1955)
Gun Wound (Thomas Harlan, 1984)
Queen of Sports (Sun Yu, 1934)
O Estrangeiro (Luchino Visconti, 1967)
Joy of Living (Tay Garnett, 1938)
Mr.Arkadin (corte francês) (Orson Welles, 1955)
Os Fuzis (Ruy Guerra, 1964)
Rings on Her Fingers (Rouben Mamoulian, 1942)
An American Dream (See You in Hell, Darling) (Robert Gist, 1966)
The Smiling Lieutenant (Ernst Lubitsch, 1931)
Mercado de futuros (Mercedes Álvarez, 2011)
Casa Ricordi (Carmine Gallone, 1954)
Born to Kill (Robert Wise, 1947)
Généalogias de um crime (Raúl Ruiz, 1996)
Comédia da Inocencia (Raúl Ruiz, 2000)
Três Vidas e uma Só Morte (Raúl Ruiz, 1995)
Iskanderija, kaman oue kaman (Youssef Chahine, 1990)
Partiynyy bilet (Ivan Píríev, 1936)
The Lost Moment (Martin Gabel, 1947)
The Farmer’s Daughter (H.C. Potter, 1947)
The Unsuspected (Michael Curtiz, 1947)
Thomas Graals bästa barn (Mauritz Stiller, 1918)
A tragédia de um Homem Ridiculo (Bernardo Bertolucci, 1981)
La Rupture (Claude Chabrol, 1970)
In Name Only (John Cromwell, 1939)
Juste avant la nuit (Claude Chabrol, 1971)
One hour with you (Ernst Lubitsch & George Cukor, 1932)
Carson City (Andre de Toth, 1951)
Sangaree (Edward Ludwig, 1953)
Equilibrium (en «The Story of Three Loves») (Gottfried Reinhardt, 1952)
Manhatta (Charles Sheeler & Paul Strand, 1921)
Hardly Working (Jerry Lewis, 1979)
Zig-Zag: Le Jeu de l’oie (Une fiction didactique à propos de la cartographie) (Raúl Ruiz, 1980)
Back Street (Robert Stevenson, 1941)
Broadway Melody of 1940 (Norman Taurog, 1940)
Bloodbrothers (Robert Mulligan, 1978)
Fighter Squadron (Raoul Walsh, 1948)
Der lebende Leichnam (Das Ehegesetz) / Zhivoí trup (The Living Corpse) (Fedor Ozep, 1929)
Green Fire (Andrew Marton, 1954)
Flesh (John Ford, 1932)
The Big Country (William Wyler, 1958)
Bresson ni vu ni connu (François Weyergans, 1965//94)
Treasure of the Golden Condor (Delmer Daves, 1953)
Champagne (Alfred Hitchcock, 1928)
La Vocation suspendue (Raúl Ruiz, 1977)
Nana (Jean Renoir, 1926)
Sylvia (Gordon Douglas, 1964/5)
L’Espion (Raoul J. Lévy, 1966)
Jeanne la Pucelle: Les batailles / Les prions (Jacques Rivette, 1993)
Justine (George Cukor, 1969)
The Silver Cord (John Cromwell, 1933)
Elvis:That’s the Way It Is [Edición especial] (R.Denis Sanders, 1970//2000)
Regen (Joris Ivens & Mannus H.K. Franken, 1929)
The Brink’s Job (William Friedkin, 1978)
The Song of Songs (Rouben Mamoulian, 1932/3)
Tod und Teufel (Peter Nestler, 2009)
Cover Girl (Charles Vidor, 1944)
The Big Street (Irving Reis, 1942)
Sånt händer inte här (This Can’t Happen Here) (Ingmar Bergman, 1950)

3 Comentários

Arquivado em Filmes

3 Respostas para “Melhores do Miguel Marias

  1. Guilherme Martins

    Fiquei mais curioso sobre as histórias em torno das redescobertas, com tantos filmaços envolvidos

    • Filipe Furtado

      Pelo que eu me lembro o Miguel organiza a lista dele assim todos os anos, imagino que é a forma dele ressaltar todos os belos filmes antigos que reviu durante o ano.

  2. Miguel Marías

    No, Filipe, no todos; sólo una pequeña parte, los que cambiaron en mi apreciación, tanto hacia arriba como un poco hacia abajo (de “grandes” a “muy buenos”). No he incluído otros, como varios de McCarey, Ford, Mizoguchi, Hitchcock, Borzage, Ophuls, Bresson o Nicholas Ray que me siguen pareciendo tan buenos como siempre. Y gracias por lo de “ótimo”, realmente una exageración.

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